AlJazeera eLearning platform is offering a free <a href="https://www.for9a.com/en/opportunity/category/Online-Courses" rel="noopener noreferrer" target="_blank">online course</a> on the theme of technical and creative aspects of Motion Picture Editing.<h3 style="text-align: justify;">Course background:</h3>Can we regard each and every one uses editing softwares as a Motion Picture Editing expert?For a fact being proficient in such softwares, though significant, doesn&rsquo;t necessarily mean that you are now able to create a compelling visual story.Motion Picture Editing isn&rsquo;t just about hitting some buttons, it&rsquo;s a creative process that aims to visually tell a story, in a way that is suggestive, and pretty similar to day-dreaming. And as dreams have their own symbols and interpretation, Motion Picture Editing itself has its priorities and no-goes.In the example shown in course promotional video we get to see a door, as the scene allows us to know that what see here is a door. But thing is we can&rsquo;t infer further, but if we put a pre-scene that shows someone eavesdropping behind a door, then we put a scene for the door, in this very case we can connect both scenes, and subsequently get to fathom that this person is anxious cause of something is happening outside, and in the same time is oblivious to the fact no one is on the other side of the door.&nbsp;<h3 style="text-align: justify;">Course prerequisites:</h3><ol><li style="text-align: justify;">Desktop, or laptop.</li><li style="text-align: justify;">Editing software.</li></ol><h3 style="text-align: justify;">Course skills:</h3><ol><li style="text-align: justify;">Telling apart linear, nonlinear, and parallel Motion Picture Editing.</li><li style="text-align: justify;">Recognizing cut and gradual transition techniques.</li><li style="text-align: justify;">Acquiring creative Motion Picture Editing skills.</li><li style="text-align: justify;">Learning how to tackle visual jump, colors, and audio Motion Picture Editing problems.&nbsp;</li></ol><h3 style="text-align: justify;">Course lectures:</h3><ul><li style="text-align: justify;">Lecture 1: Motion Picture Editing definition:</li></ul>Montage is a French word found its way to Arabic, it&rsquo;s translated to Motion Picture Editing, or could be just editing. But when using the short form we need to differentiate motion editing from journalistic editing.<ul><li style="text-align: justify;">Lecture 2: Motion Picture Editing: Artistic perspective:</li></ul>All arts have limitations and restrictions, in order to not make end up with nonsense. These restrictions cripple creative abilities of an artist.<ul><li style="text-align: justify;">Lecture 3: Motion Picture Editing: Technical perspective 1:</li></ul>Time code, frames, cadres, and so many more of related terminology, in this lecture we review their meanings.<ul><li style="text-align: justify;">Lecture 4: Motion Picture Editing: Technical perspective 2:</li></ul>In this lecture we go over editing techniques and types.<ul><li style="text-align: justify;">Lecture 5: Visual concepts:</li></ul>There is a lingua franca among colleagues, to make communication easier between camera men and editors, one of its components is scene types.<ul><li style="text-align: justify;">Lecture 6: Correlation between scene and visual phrase:</li></ul>Phrases on screen are similar to phrases on papers, in order to make a phrase you need to put words next to each other, and to make a visual phrase you need to put images and frames next to each other.<ul><li style="text-align: justify;">Lecture 7: Audio value, and how it connects to visuals:</li></ul>In this lecture we highlight the importance of keeping silent moments, and not erasing them. As they could convey strong symbols to audience.&nbsp;<ul><li style="text-align: justify;">Lecture 8: Technical issues, and how to solve them:</li></ul>Examples of some problems editor face, and how to tackle them.<ul><li style="text-align: justify;">Lecture 9: Motion Picture Editor relationship with colleagues:</li></ul>Includes underlying disagreements between editor and his/her team, that are supposed to stimulate team&rsquo;s critical sense, and get them out of traditional work environment.<ul><li style="text-align: justify;">Lecture 10: General tips:</li></ul>In order to become a great editor, you need to watch as many award-winning movies as you can, to sharpen your critical thinking.<h3 style="text-align: justify;">What enrollee gets:</h3>Free access valid till the end of course.See more available&nbsp;<a href="https://www.for9a.com/en/opportunity/category/Trainings-or-Workshops">workshops or trainings</a>&nbsp;on For9aSee more available&nbsp;<a href="https://www.for9a.com/en/country/Turkey">opportunities in Turkey</a>&nbsp;on For9a

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AlJazeera eLearning platform is offering a free <a href="https://www.for9a.com/en/opportunity/category/Online-Courses" rel="noopener noreferrer" target="_blank">online course</a> on the theme of technical and creative aspects of Motion Picture Editing.<h3 style="text-align: justify;">Course background:</h3>Can we regard each and every one uses editing softwares as a Motion Picture Editing expert?For

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Free Onlne Course by AlJazeera eLearning: Technical and Creative Aspects of Motion Picture Editing

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